The medics keep a file on her now. “High-risk altruism,” the report says, like it’s some syndrome instead of common sense. Lucy tears the copy they give her into confetti. Lets the pieces float into the disposals chute. She’s no hero—heroes don’t piss themselves during electrical storms when the lights flicker like Clara’s stupid fairy string lights she hung above their bed.
But the station’s full of ghosts who don’t play fair.
Like when the new hire in cargo offers her synthwhiskey after shift. Just a sip, he insists, all grinning teeth and oblivious eyes. The smell alone knots her stomach. She stammers an excuse, trips over a loose floor panel fleeing to atmos. Spends six hours realigning the turbine flow, scrubbing until her nostrils burn with filtered air instead of phantom amaretto.
They call her reliable. Dependable. Predictable. Lucy clocks the whispers. Lets them think she’s just another gear in NT’s machine. Better than them knowing the truth: the only reason she remembers every valve rotation, every thermal threshold, is because if she stops focusing, the memories leak in.
Clara’s hands, calloused from gardening, tracing the freckles on Lucy’s shoulder. “You’re my atmosphere,” she’d joked. “Life support.”
The first time Lucy jams a crowbar into a malfunctioning supermatter valve to save a clueless intern, she almost laughs. This is what NT thinks competent looks like? Screaming into a headset while radiation warnings blare? She gets a commendation. A sticker shaped like a star.
She sticks it to the wall above her cot. Pokes the peeling edges when the nightmares come.
It’s not that she wants to die. Dying’s too clean. Too easy. But when Cargo Officer Riggs gets his boot magnetized to a live reactor coil during a blackout, Lucy’s already halfway across the sector, wrenches clattering from her toolbelt. Her hands move before her brain catches up—cutting power grids, overriding safeties, all while Riggs babbles about his kids back on Mars.
Later, they’ll ask why her teeth were chattering. She’ll blame the coolant leak. Not the way Riggs’ daughter’s name—Lila—rhymes with Clara.
Her quarters smell like static and wilted lavender. The plant’s down to one stubborn leaf. Sometimes she talks to it. Tells it about pressure differentials. Never about the wedding playlist still rotting in her PDA.
Lucy Belle Sonn survives.
She’s good at that.